Discover Input-Output Art by Tania Sen

Input-Output-II by Tania Sen — Input-Output-II, relief painting 36×36 inches

Passage of Time Output Input @ Torpedo Art Factory — Input-Output-II, relief painting 36×36 inches

Perception of Events

Contrary to spatial perception, perception of events is devoid of relationality in the immediate field of vicinity. Although we perceive the past, we do not perceive it as past, but as present. Moreover, our experience does not only appear to be temporally limited, it is so: we do not perceive the future, and we do not continue to perceive transient events long after information from them reached our senses.

Perspective Gathering

Incoming information having been registered; it needs to move into the memory to make way for more up to date information. For, although things may change slowly relative to the speed of light or of sound, they do change, and we cannot afford to be simultaneously processing conflicting information. There as been a lot of change worldwide in the recent past, and much continues to unfold. These events are in the process of impacting our consciousness. Until such time that the temporal relation of each disparate event is processed, much fraction will continue to erupt in the collective consciousness.

Passage of Time attempts to make sense of some of the conflicting views that are jostling with one another, vying for validation.

My artistic exploration focuses on sustainability's deep connection to a place’s identity. My photographic documentation focuses on grassroot businesses that often promote greener manufacturing, and preserves heritage. Some preliminary photo essays on the topic featured in the Smithsonian publication.

I started my journey at age four, misdiagnosed with diphtheria and confined to a hospital bed in Bihar, India. Even then, it was my dream to make art. After losing my father in my teens, I had to support my family. With a young brother and a stay-at-home mother, I worked writing press releases for the Indian Railways while completing my English degree at Calcutta University.

With an academic scholarship from New York Institute of Technology, I took a leap of faith and moved to NYC for graduate school. After graduation, I spent over twenty years in advertising before transitioning to teaching and art therapy in 2001. I taught Advertising Design at the College of St. Elizabeth in Morristown, NJ, and practiced art therapy with autistic children at the Morris Union Jointure Commission in Warren, NJ.

Embracing contemporary narratives, I experimented with form and media, finding mentors who helped me realize my artistic goals. Essentially self-taught, my works exhibited at the Newark Museum (NJ),
The Royal Scottish Academy, Tate (UK) Mumbai Museum (India) Contemporary Art Museum S. Korea, Torpedo Art Factory, Monmouth Museum (NJ) Haggin Museum (CA), Lalit Kala Academy h (India), Feminist Art Project, Goggleworks, Prince Street Gallery, Brooklyn Waterfront Artists Coalition, NYC etc.

As a founder member of SIPMA Contemporary, I curated interdisciplinary art exhibits and collaborated on experimental dance and performance art at places like Swarthmore College and the Soho 20 gallery in NYC. My performance art video debuted at the Venice Art Fair in 2024. For more on international exhibitions, click here.