Data Rush is an attempt of a conversation. An attempt to make meaning out of a surge of facts and figures, an excess of opinions and polarized impressions…a transmission of sorts with blips, glitches and dropped messages…an attempt of an expression…
Dizzy in Kolkata acrylic and sumi ink on canvas, 30x30 inches A few years ago a very talented artist from Newark Jerry Gant, invited me to participate in a show…
"Say something, I'm giving up on you I'll be the one, if you want me to Anywhere, I would've followed you Say something, I'm giving up on you"
“If I could say it in words there would be no reason to paint” – Ed Hopper“If only I could say it in words...” – Tania Sen Muddy Boots, Fizzy…
“Living is easy with eyes closedMisunderstanding all you seeIt's getting hard to be someoneBut it all works out.” Lovelies Love Is... at Alfa Art Gallery mixed media on reclaimed canvas,…
Masks have been used in cultures across the globe during celebrations or initiation ceremonies. The persona, according to Carl Jung, was the social face the individual presented to the world—"a…
Look Fizzy, acrylic on textured cone sculpture 27x12x12 inches approx. Look Fizzy mixed media on canvas 36x36 inches Second Skin at Da Vinci Gallery, Philadelphia The significance of skin deep…
Talk Fizzy, 30x30 inches, mixed media on reclaimed canvas Speaking one’s mind should be a birth right, albeit when we think of it, it is in some way compromised. A…
I Breathe With You was an expression on the wrongful loss of life for young African American teen from NY in the hands of the police force.
My portraits trace power in the current form, shaped by history, cultural and social wiring. It explores the human condition of duality in strife between power and powerlessness. My "Ravana" is depicted as a woman. The ten heads of Ravana with different expressions from the series of portraits below. I often find references in real life, forms that resonate popular myth. What else is a myth if not an attempt to understand the ever shifting face of reality with subjective interpretations and unrequited envisioning of aspirational entities?
