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Tania Sen contemporary artist
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  • List of Exhibits
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  • Ai Altered Reality & New Media
  • Blog
    • The People Only Have The People
    • A Can Of Worms
    • Where Have All The Fathers Gone
    • Unburied
    • In Search of Man
    • A Thousand Years of Silence
    • An Anecdote of Archetypes
    • Redefining Her History
    • Revisiting Death of an Icon
    • Big Brother’s Bible
    • Journey With AI
  • Performance Art
    • Primal Colors and Others
    • Wide-Eyed Special Characters
    • WESC Meets Real Body
    • Performance Art, Stories They Tell
    • Familiar Fragrance, Unfamiliar Places
  • Photo Essays
    • Journey Through Arts
    • Blessed Unrest of Baool Spirit
    • Google God?
    • Bourbon Street @ Smithsonian
    • Love in the Time of Covid
  • More
    • Second Skin
    • Death of an Icon
    • Please Touch Sculpture
    • Inside Outside, Etchings etc.
    • Us & Them and Other Sculpture
    • Color Vision
    • Fizzy Dreams
    • Depicting Her Essence
    • We’ll Grow on You
  • Connect
  • Curatorial Projects

Yearly Archives: 2017

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  2. 2017
Bourgeoisie – the new thinker
Birds of Prey

Bourgeoisie – the new thinker

  • Post author:taniasen
  • Post published:October 27, 2017
  • Post category:Uncategorized

Bourgeoisie - the new thinker [envira-gallery slug="bourgeoisie-the-new-thinker"] Today’s story is a process, ever evolving rather than any strongly held view. My Elements sculpture series prototypes lean on the instinctual purity…

Continue ReadingBourgeoisie – the new thinker
Looking Close Seeing Far
"I Love" are words quietly traced with the bare fingertip and color rubbed out of the wall

Looking Close Seeing Far

  • Post author:taniasen
  • Post published:October 25, 2017
  • Post category:Uncategorized

“Looking Close, Seeing Far” is the story of a place and its people told over hundreds of years...even when taken out of context, they retain their characteristics!

Continue ReadingLooking Close Seeing Far

About the Artist

My artistic exploration focuses on sustainability's deep connection to a place’s identity. My photographic documentation focuses on grassroot businesses that often promote greener manufacturing, and preserves heritage. Some preliminary photo essays on the topic featured in the Smithsonian publication.

I started my journey at age four, misdiagnosed with diphtheria and confined to a hospital bed in Bihar, India. Even then, it was my dream to make art. After losing my father in my teens, I had to support my family. With a young brother and a stay-at-home mother, I worked writing press releases for the Indian Railways while completing my English degree at Calcutta University.

With an academic scholarship from New York Institute of Technology, I took a leap of faith and moved to NYC for graduate school. After graduation, I spent over twenty years in advertising before transitioning to teaching and art therapy in 2001. I taught Advertising Design at the College of St. Elizabeth in Morristown, NJ, and practiced art therapy with autistic children at the Morris Union Jointure Commission in Warren, NJ.

Embracing contemporary narratives, I experimented with form and media, finding mentors who helped me realize my artistic goals. Essentially self-taught, my works exhibited at the Newark Museum (NJ), 
The Royal Scottish Academy, Tate (UK) Mumbai Museum (India) Contemporary Art Museum S. Korea, Torpedo Art Factory, Monmouth Museum (NJ) Haggin Museum (CA), Lalit Kala Academy h (India), Feminist Art Project, Goggleworks, Prince Street Gallery, Brooklyn Waterfront Artists Coalition, NYC  etc. 

As a founder member of SIPMA Contemporary, I curated interdisciplinary art exhibits and collaborated on experimental dance and performance art at places like Swarthmore College and the Soho 20 gallery in NYC. My performance art video debuted at the Venice Art Fair in 2024. For more on international exhibitions, click here.

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